Jul. 16th, 2013

omorka: (Monkees '68)
The sound on this video isn't great, especially with the whole freaking audience singing along, but damn, Dolenz sounds pretty good here. Still got pipes.

It's odd - here are these three guys and a ghost, touring 47 years after that song hit the airwaves for the first time. They're still around, and they still draw audiences - but they don't seem to take anything away from the hot, hip, young artists that get radio airplay now. There are radio stations that only air what's on the top 40 now, now, now, and there are radio stations that don't play any songs that couldn't drink, and everyone who makes it to the corporate level seems to make their dime all right, piracy be damned. So why is it that the movie and video game industries have so much trouble making money off of new stuff? Is it just the price of entry, that making a 3:30 pop song is that much cheaper than a 90-minute movie? I guess a 45" single or a song off of iTunes is an easier sell than an $8 movie ticket or a $60 video game - and hell, at least you get to keep the song and the video game; maybe I should be comparing the $20 DVD instead of the movie ticket. (And I suppose concert tickets are more expensive, and the experience just as ephemeral.) Still, the balance of old and new stuff for movies and video games seems off, compared to music.

Not that I mind. I'm spending my birthday check from my folks on a ticket to the Houston show (and probably some concert swag). I don't think they'll mind at all.

On the next-to-last disc now. Three more episodes Behind the Cut )

One problematic dud flanked by two pretty decent episodes with some character development. We've got five more episodes to go in the season.

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